Thursday, August 25, 2011
Sunday, August 14, 2011
Tuesday, July 19, 2011
Monday, May 9, 2011
Wednesday, May 4, 2011
my girlfriend fel
this is fel.
this is the pop up shop she just opened.
you should come in before the 6th of may,
after which time it will be too late.
Saturday, April 30, 2011
Thursday, April 28, 2011
Wednesday, April 27, 2011
Tuesday, April 19, 2011
Salva Lopez
Friday, April 15, 2011
cannes: stiffies all round
In Competition:
“The Skin That I Live In” – Pedro Almodovar
“L’Apollonide”” – Betrand Bonello
“Footnote” – Joseph Cedar
“Paterre” – Alain Cavalier
“Once Upon A Time In Anatolia” – Nuri Bilge Ceylan
“The Kid With The Bike” – The Dardenne Brothers
“Le Havre” – Aki Kaurismaki
“Hanezu no Tsuki” – Naomi Kawase
“Sleeping Beauty” – Julia Leigh
“Tree of LIfe” – Terrence Malick
“La Source de Femmes” – Radu Mihaileanu
“Polisse” – Maïwenn Le Besco
“Harakiri” – Takashi Miike
“We Have A Pope” – Nanni Moretti
“Melancholia” – Lars Von Trier
“This Must Be The Place” – Paolo Sorrentino
“Drive” – Nicholas Winding Refn
“We Need To Talk About Kevin” – Lynne Ramsay
Un Certain Regard:
“Restless” – Gus Van Sant
“Martha Marcy May Marlene” – Sean Durkin
“The Hunter” – Bazur Bakuradze”
“Halt auf freier Strecke” – Andreas Dresen
“Skoonheid” – Oliver Hermanus
“Hors Satan” – Bruno Dumont
Les Neiges du Kilimandjaro” – Robert Guédiguian
“The Days He Arrives” – Hong Sang-Soo
“Bonsai” – Christian Jimenez
“Tatsumi” – Erik Khoo
“En maintenant, on va ou?” – Nadine Labaki
“Ariang” – Kim Ki Duk
“Loverboy”- C?t?lin Mitulescu
“Toomelah” – Ivan Sen
“Yellow Sea” – Na Hong-Jin
“Miss Bala” – Gerardo Naranjo
“L’exercice de l’Etat” – Pierre Schoeller
“Oslo, August 31st” Joachim Trier
“Travailler fatigue” – Juliana Rojas, Marco Dutra
Friday, March 25, 2011
white ribbon 2010
i loved the shots in this great film. one shot that stays with me (that i cannot find) is in the hallway while two children are being caned: the beauty of a long shot with minimal movement, confined in a small space with a beautifully controlled and positioned amount of lighting. a masterpiece from a master.
dogtooth 2010
a more structured anna gaskell
reminds me of an insular gursky
i loved the way lanthimos cut people in the frame. making beautiful images that supported the story. unsettling and composed
the films minimal use of cuts and camera movements solidified the story. focus pulls were used sparingly and very effectively
Tuesday, March 15, 2011
Thursday, February 17, 2011
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